29,06 €
34,19 €
-15% su kodu: ENG15
Robert Adams: Why People Photograph
29,06 € 
- Išsiųsime per 10–14 d.d.
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on working conditions in the nineteenth- and twentieth-century American West, and the…
29.06
2025-08-04 23:59:00
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- Leidėjas: Aperture
- ISBN-10: 0893816035
- ISBN-13: 9780893816032
- Formatas: 14.1 x 21 x 1.6 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
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A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on working conditions in the nineteenth- and twentieth-century American West, and the essay Two Landscapes. Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.EXTRA 15 % nuolaida su kodu: ENG15
29,06 €
34,19 €
Išsiųsime per 10–14 d.d.
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- Leidėjas: Aperture
- ISBN-10: 0893816035
- ISBN-13: 9780893816032
- Formatas: 14.1 x 21 x 1.6 cm, minkšti viršeliai
- Kalba: Anglų
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on working conditions in the nineteenth- and twentieth-century American West, and the essay Two Landscapes. Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.
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